Strand Theater Company
The Mercy Seat by Neil LaBute
Directed by Danielle Young
September 11th –October 4th, 2009
Set on September 12, 2001, The Mercy Seat continues Neil LaBute’s unflinching fascination with the often-brutal realities of the war between the sexes. In a time of national tragedy, the world changes overnight. A man and a woman explore the choices now available to them in an existence different from the one they had lived just the day before. Can one be opportunistic in a time of universal selflessness?
September 11th –October 4th, 2009
Set on September 12, 2001, The Mercy Seat continues Neil LaBute’s unflinching fascination with the often-brutal realities of the war between the sexes. In a time of national tragedy, the world changes overnight. A man and a woman explore the choices now available to them in an existence different from the one they had lived just the day before. Can one be opportunistic in a time of universal selflessness?
[Sic] by Melissa James Gibson
Directed by Jayme Kilburn
November 20th-December 13th, 2009
In adjacent apartments that resemble nothing so much as broom closets with windows, the three young, ambitious neighbors of Melissa James Gibson's [SIC] come together to discuss, flirt, argue, share their dreams, and plan their futures with unequal degrees of deep hopefulness and abject despair, all the while pushing the limits of their friendship to the max and demonstrating that language can be both an instrument of intimacy and a weapon of defense. Theo is a composer trying to create a heroic theme for an amusement park ride called the Thrill-o-Rama; Babette is a writer trying to finish—or even start—a book theorizing that temper tantrums are the major motivating force behind historical events; and Frank is a would-be auctioneer preparing for his future career by constantly practicing tongue twisters as "Sally sought some seeds to sow but sadly soon it snowed." By exploring these questing lives in language that alternates between exhilarating structural inventiveness and loony comedy, poignant soul-searching and incisive analysis of the life that may actually exist beyond one's four walls, Melissa James Gibson has created a unique play that is as witty and wise as it is stylistically groundbreaking and unexpected.
November 20th-December 13th, 2009
In adjacent apartments that resemble nothing so much as broom closets with windows, the three young, ambitious neighbors of Melissa James Gibson's [SIC] come together to discuss, flirt, argue, share their dreams, and plan their futures with unequal degrees of deep hopefulness and abject despair, all the while pushing the limits of their friendship to the max and demonstrating that language can be both an instrument of intimacy and a weapon of defense. Theo is a composer trying to create a heroic theme for an amusement park ride called the Thrill-o-Rama; Babette is a writer trying to finish—or even start—a book theorizing that temper tantrums are the major motivating force behind historical events; and Frank is a would-be auctioneer preparing for his future career by constantly practicing tongue twisters as "Sally sought some seeds to sow but sadly soon it snowed." By exploring these questing lives in language that alternates between exhilarating structural inventiveness and loony comedy, poignant soul-searching and incisive analysis of the life that may actually exist beyond one's four walls, Melissa James Gibson has created a unique play that is as witty and wise as it is stylistically groundbreaking and unexpected.
The Lacy Project by Alena Smith
Directed by Josh Bristol
February 5th-February 27th, 2010
Her mother's photographs turned Lacy into an icon of childhood innocence and beauty. Now, on the night of her 22nd birthday, Lacy has to navigate between image and reality, sex and friendship, self-indulgence and responsibility. This wild tragicomedy presents an portrait of a young woman held captive by her own childhood, and a vivid picture of a generation unable to grow up.
February 5th-February 27th, 2010
Her mother's photographs turned Lacy into an icon of childhood innocence and beauty. Now, on the night of her 22nd birthday, Lacy has to navigate between image and reality, sex and friendship, self-indulgence and responsibility. This wild tragicomedy presents an portrait of a young woman held captive by her own childhood, and a vivid picture of a generation unable to grow up.
The Mai by Marina Carr
Directed by Jayme Kilburn
April 16th-May 1st, 2010
An accomplished, beautiful forty-year-old woman, The Mai has always sought an exceptional life. Robert, her cellist husband, has always felt stifled by The Mai's ideals of perfection. After seventeen years he leaves her, whereupon she sets about building a dream house in the hope that he will one day return to her. From her fairytale castle, The Mai waits by the window for her dark-haired prince to return. Set in the inspiring surrounds of the West of Ireland, on the banks of the legendary Owl Lake, we enter this world on the day of Robert's return after an absence of four years. In the midst of Mai's and Robert's troubled reunion are the idiosyncratic characters that comprise the family. Irreverent and unapologetic, the opium-smoking one-hundred-year-old matriarch, Grandma Fraochlan, presides over all. The "Spanish Beauty," as she is known, with her "ancient and fantastical memory" and mythical presence, reminds us that the past is looming ever present.
April 16th-May 1st, 2010
An accomplished, beautiful forty-year-old woman, The Mai has always sought an exceptional life. Robert, her cellist husband, has always felt stifled by The Mai's ideals of perfection. After seventeen years he leaves her, whereupon she sets about building a dream house in the hope that he will one day return to her. From her fairytale castle, The Mai waits by the window for her dark-haired prince to return. Set in the inspiring surrounds of the West of Ireland, on the banks of the legendary Owl Lake, we enter this world on the day of Robert's return after an absence of four years. In the midst of Mai's and Robert's troubled reunion are the idiosyncratic characters that comprise the family. Irreverent and unapologetic, the opium-smoking one-hundred-year-old matriarch, Grandma Fraochlan, presides over all. The "Spanish Beauty," as she is known, with her "ancient and fantastical memory" and mythical presence, reminds us that the past is looming ever present.
Friends and Neighbors Festival: Works by Women
May 28th-June 27th, 2010
Now Accepting Submissions!
Now Accepting Submissions!